WHAT WE DO
Unscripted Edit
Our experienced and award-winning offline editors, technology, flexibility of scheduling, and talented team help bring your story to life and keep your editorial on track and on time.

The Bardsley Bunch
Color
Editorial
Offline Rentals
Unscripted Edit
Sound

Out of Order
Unscripted Edit

ITV Studio Sessions
Unscripted Edit

Michael McIntyre's Big Show S7
Sound
Unscripted Edit

The Wheel
Unscripted Edit

Dawn French Is a Huge Tw*t
Unscripted Edit

Rhod Gilbert's Growing Pains
Unscripted Edit

The Royal Variety Peformance
Unscripted Edit

Joe Lycett's Got Your Back
Unscripted Edit

The Lateish Show with Mo Gilligan
Unscripted Edit

Blankety Blank
Unscripted Edit

The Big Narstie Show
Unscripted Edit

Murder They Hope
Unscripted Edit

U2 at the BBC
Unscripted Edit

The Earthshot Prize Awards Singapore
Unscripted Edit
Unscripted Edit
artists

Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.

Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
Unscripted Edit
artists

Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.

Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.



