WHAT WE DO
Mastering and Restoring
Utilizing the industry's top technology and backed by a team with decades of combined experience, Picture Shop’s mastering & restoration group is focused on reviving storytellers’ visions from yesterday to their original glory, remastering classics from their original elements to the premium formats of today and tomorrow.
Master and Commander: The Far Side of the World – 4k Restoration
Mastering and Restoring
Forrest Gump
Mastering and Restoring
The Swan Princess
Mastering and Restoring
Hunt for Red October
Mastering and Restoring
Dead Poets Society – 4k Restoration
Mastering and Restoring
Star Trek II: The Wrath of Khan
Mastering and Restoring
The Blue Lagoon
Mastering and Restoring
Saturday Night Fever
Mastering and Restoring
Chinatown
Mastering and Restoring
A Place in the Sun
Mastering and Restoring
It’s A Wonderful Life
Mastering and Restoring
To Kill A Mockingbird
Mastering and Restoring
Mastering and Restoring
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
Mastering and Restoring
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.