WHAT WE DO
Color
With a wealth of experience ranging from broadcast television to independent film, streaming series, commercials, music videos, and tentpole features, our award-winning roster of colorists and finishing artists are available globally to collaborate on projects of all shapes, sizes, and budget levels.
Rental Family
Color
Editorial
In Our Blood
Color
Editorial
Instagram - Teen Accounts
Color
Mango
Color
Three Wisest Men
Color
Editorial
Everything on the Menu with Braun Strowman
Color
Editorial
Bebemos Tequila - The New Classic
Color
The Twits
Color
Børnene fra Sølvgade 2
Color
Yae: The Blind Samurai Woman
Color
The Home Team: NY Jets
Color
Editorial
Fight for Glory: World Series 2024
Color
Editorial
I Love LA
Color
Editorial
VFX
Swiped
Color
Editorial
LEGO Star Wars: Rebuild the Galaxy - Pieces of the Past
Color
Brilliant Minds S2
Color
Editorial
Doc S2
Color
Editorial
Heartland S19
Color
Dailies
Editorial
Monster: The Ed Gein Story
Color
Editorial
VFX
Happy Face
Color
Editorial
Adulthood
Color
Editorial
Talamasca: The Secret Order
Color
Editorial
The Diplomat S3
Color
Dailies
VFX
Editorial
Fixed
Color
Editorial
Riff Raff
Color
Gerber: Sorry!
Color
The Hunting Wives
Color
Editorial
Hardwood Floor - Morgan Wade
Color
Dead Dance - Lady Gaga
Color
The Furry Detectives: Unmasking a Monster
Color
Motrio: The Wonderful Tale of Motrio
Color
Kpop Demon Hunters
Color
Editorial
Birthrite
Color
Editorial
Samsung: Galaxy Z Fold7
Color
Murderbot
Color
Editorial
Near or Far
Color
Editorial
Irish Blood
Color
Editorial
Caught Stealing
Color
Editorial
VFX
Paradise Records
Color
Editorial
Dora and the Search for Sol Dorado
Color
Editorial
Dexter: Resurrection
Color
Editorial
Ballard
Color
Editorial
VFX
Oh, Hi!
Color
Editorial
Ick
Color
Editorial
The Stranger in My Home
Color
Shook
Color
Editorial
Jeep: Jurassic Trail Rated
Color
Transaction
Color
Editorial
Sound
Wolt+
Color
Locked
Color
Pinch
Color
Editorial
Molly Mae: Behind It All
Color
Editorial
The Bardsley Bunch
Color
Editorial
Offline Rentals
Unscripted Edit
Sound
This City Is Ours
Color
Sound
Art Detectives
Color
Sound
Bosch: Legacy S3
Color
Editorial
Psycho Therapy
Color
Dailies
The Bondsman
Color
Editorial
VFX
Zombies 4: Dawn of the Vampires
Color
On Swift Horses
Color
Editorial
Hell Motel
Color
Editorial
Lilo & Stitch
Color
Editorial
Final Destination Bloodlines
Color
Dailies
Editorial
VFX
Wooly Bully
Color
Honey Don't
Color
Dailies
Editorial
Revival
Color
Dailies
Editorial
Dark My Light
Color
Editorial
Fear Street: Prom Queen
Color
Editorial
The Chicken Sisters S1-S2
Color
The Lost Daughter
Color
Étoile
Color
Dailies
Editorial
Disco's Revenge
Color
Dangerous Games: Roblox and the Metaverse Exposed
Color
Editorial
Bam Bam: The Sister Nancy Story
Color
Seven Veils
Color
Dailies
Editorial
The Birds Who Fear Death
Color
Long Bright River
Color
Dailies
Editorial
The Woman in the Yard
Color
Opus
Color
Smurfs
Color
Henry Danger
Color
Editorial
DOC
Color
Editorial
Hell of a Summer
Color
Editorial
Going Dutch
Color
Editorial
North of North
Color
XO, Kitty 'S2'
Color
Editorial
The Pitt
Color
Dailies
Landman S1-S2
Color
Editorial
The Way Home S1-S3
Dailies
Color
Elsbeth S1-S3
Dailies
Color
VFX
The Walking Dead: Daryl Dixon S1-S3
Color
Dailies
The Walking Dead: Dead City S1-S2
Color
Editorial
Law and Order Toronto: Criminal Intent S1-S2
Color
Editorial
Dailies
NCIS S1-S23
Color
VFX
Invasion S1-S3
Color
Dailies
Editorial
You S1-S5
Color
Editorial
VFX
Ginny and Georgia S1-S3
Color
Editorial
Billy the Kid S1-S3
Color
Editorial
School Spirits S1-S2
Color
Dailies
Editorial
Godfather of Harlem S1-S4
Color
Editorial
Dailies
Color
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
Color
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.