WHAT WE DO
Editorial
Elite editors and real world tested technology for all your editorial workflow needs.

Cross S2
Color
Editorial
Dailies
Sound

Free Bert
Color
Dailies
Editorial

Best Medicine
Color
Dailies
Editorial

K-Pops!
Color
Editorial

Tuner
Color
Editorial

The Borderline
Color
Editorial
Sound

Kissing is the Easy Part
Color
Editorial
Sound

Tow
Color
Editorial

The Audacity
Color
Dailies
Editorial

American Classic
Color
Editorial

Imperfect Women
Color
Editorial
VFX

Untitled Home Invasion Romance
Color
Editorial
Sound

The Beauty
Color
Dailies
Editorial

The Pitt S2
Color
Dailies
Editorial

Disclosure Day
Color
Editorial

Dark Winds S1-S4
Color
Editorial

Amorosa
Color
Editorial

The Plague
Color
Editorial

A Make or Break Holiday
Color
Editorial

Sheriff Country
Color
Editorial

Boston Blue
Color
Editorial

The SpongeBob Movie: Search for Squarepants
Color
Editorial

Teenage Mutant Ninja Turtles: Chrome Alone 2 - Lost in New Jersey
Color
Editorial
_1.458.1.jpg)
The Copenhagen Test
Color
Editorial
Dailies

Anaconda
Color
Editorial
VFX

The Abandons
Color
Editorial

Merv
Color
Editorial

Last Days
Color
Editorial

Five Nights at Freddy's 2
Color
Editorial
VFX

Rental Family
Color
Editorial

In Our Blood
Color
Editorial

Three Wisest Men
Color
Editorial

Everything on the Menu with Braun Strowman
Color
Editorial

The Home Team: NY Jets
Color
Editorial

Fight for Glory: World Series 2024
Color
Editorial

I Love LA
Color
Editorial
VFX

Swiped
Color
Editorial

Brilliant Minds S2
Color
Editorial

Doc S2
Color
Editorial

Heartland S19
Color
Dailies
Editorial

Monster: The Ed Gein Story
Color
Editorial
VFX

Happy Face
Color
Editorial

Adulthood
Color
Editorial

Talamasca: The Secret Order
Color
Editorial

The Diplomat S3
Color
Dailies
VFX
Editorial

Fixed
Color
Editorial

The Hunting Wives
Color
Editorial

Kpop Demon Hunters
Color
Editorial

Birthrite
Color
Editorial

Murderbot
Color
Editorial

Near or Far
Color
Editorial

Irish Blood
Color
Editorial

Caught Stealing
Color
Editorial
VFX

Paradise Records
Color
Editorial

Dora and the Search for Sol Dorado
Color
Editorial

Dexter: Resurrection
Color
Editorial

Ballard
Color
Editorial
VFX

Oh, Hi!
Color
Editorial

Ick
Color
Editorial

Shook
Color
Editorial

Transaction
Color
Editorial

Pinch
Color
Editorial

Molly Mae: Behind It All
Color
Editorial

The Bardsley Bunch
Color
Editorial
Offline Rentals
Unscripted Edit

Bosch: Legacy S3
Color
Editorial

The Bondsman
Color
Editorial
VFX

On Swift Horses
Color
Editorial

Hell Motel
Color
Editorial

Lilo & Stitch
Color
Editorial

Final Destination Bloodlines
Color
Dailies
Editorial
VFX

Honey Don't
Color
Dailies
Editorial

Revival
Color
Dailies
Editorial

Dark My Light
Color
Editorial

Fear Street: Prom Queen
Color
Editorial
Sound

Étoile
Color
Dailies
Editorial

Dangerous Games: Roblox and the Metaverse Exposed
Color
Editorial

Seven Veils
Color
Dailies
Editorial
Sound

Long Bright River
Color
Dailies
Editorial

Henry Danger
Color
Editorial

DOC
Color
Editorial

Hell of a Summer
Color
Editorial
Sound

Going Dutch
Color
Editorial

XO, Kitty 'S2'
Color
Editorial

Landman S1-S2
Color
Editorial

The Walking Dead: Dead City S1-S2
Color
Editorial

Law and Order Toronto: Criminal Intent S1-S2
Color
Editorial
Dailies
Sound

Invasion S1-S3
Color
Dailies
Editorial

You S1-S5
Color
Editorial
VFX

Ginny and Georgia S1-S3
Color
Editorial
Sound

Billy the Kid S1-S3
Color
Editorial

School Spirits S1-S2
Color
Dailies
Editorial

Emily in Paris
Color
Editorial

Godfather of Harlem S1-S4
Color
Editorial
Dailies

Full Swing S1-S3
Color
Editorial

The Summer I Turned Pretty S1-S3
Color
Editorial
Dailies
Sound

Hysteria!
Color
Editorial

The 430 Movie
Color
Editorial

Afraid
Color
Editorial

Brilliant Minds
Color
Editorial

Andy Murray: Will to Win
Color
Editorial
Editorial
artists

Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.

Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
What we do
Services
Editorial
artists

Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.

Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.



